I shoot, edit and publish video and social content. Most of my experience is in motorsports, where I learned how to make fast-moving moments clear, exciting and worth watching.
I run Daily Monsters across YouTube, Facebook and Instagram. These numbers come from the same work you see here: editing, posting, packaging videos and learning what keeps people watching.
A few examples of how I edit for YouTube and social. The long videos have more room to tell a story. The Shorts get to the point fast.
Most of my shooting has been motorsports and live events, but I like anything where I have to react fast. Here’s a mix of sports, portraits and event work. The full gallery is on the portfolio page.
Live competition, real reactions and no retakes.
Good light, a good location and not overcomplicating it.
Show the brand, the crowd and what the event actually felt like.
Posters, schedules, giveaways and social graphics I made for real events and campaigns. These aren’t mockups made just for a portfolio.
I’m used to handling a lot of the process myself: editing, graphics, photos, captions, posting and checking what worked after it goes live.
Long-form, Shorts, reels, event recaps and whatever else needs to get out.
From the idea, to shooting it, to the final export.
Posting, captions, thumbnails, analytics and figuring out what people actually respond to.
Motorsports, live events, portraits and brand content.
This is where I have the most experience, and where I learned to work fast.
I’ve worked around live events, tight turnarounds and plans that change at the last second. You learn pretty quickly how to make a decision, get the work done and keep moving.
I handle the research, editing, posting and analytics. It has taught me what gets clicks, what keeps people watching and what falls flat.
I’ve shot and edited motorsports events across multiple states. When something happens once, you either get it or you don’t. I like working in that kind of environment.
I like work where I can make something, put it out and actually see what people respond to.
Most of my experience comes from motorsports and live events, but the part I enjoy is the content itself: finding the moment, cutting it down, making it look good and getting it in front of people.
I’m looking for a remote role where I can keep doing that with a team, whether that means editing, social content, graphics, photography or a mix of all of it.
I’m open to remote video editing, content and social media roles. Email is the easiest way to reach me.